ÐÏࡱá>þÿ Z\þÿÿÿYÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿì¥Á ð¿(bjbj­/­/ wlÏEégÏEég×+ÿÿÿÿÿÿ·nn$ÿÿÿÿ$$$PtÔH<$¦Ä„„šššuuu%''''''$j¶ "nKuuuuuKššÛ`­­­uÖšš%­u%­­­šÿÿÿÿ0èk©¨ÛÿÿÿÿKÖ­v0¦­Ž"!RŽ"­Ž"­duu­uuuuuKKs:uuu¦uuuuÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿŽ"uuuuuuuuunX Æ:  CURRICULUM VITA M. Susan Anthony Department of Communication and Theatre #1309 Green Center for the Performing Arts Ä¢¹½´«Ã½ Greencastle, IN 46135 (765) 658-6558 (office) EDUCATION Ph.D. University of Maryland, College Park, MD. Theatre History and Criticism (August 1997) M.A. SUNY-Binghamton, Binghamton, NY, Theatre (1990) M.A. Bowling Green State University, College Student Personnel (1980) B.S. Bowling Green State University, Education: English, Speech, Journalism, Drama (1980) Magna Cum Laude. B.A. Bowling Green State University, Communication (1980) Magna Cum Laude. ACADEMIC POSITIONS 8/2000 - Present DEPAUW UNIVERSITY, Greencastle IN Professor of Communication and Theatre 8/97 - 5/2000 UNIVERSITY OF MARYLAND, COLLEGE PARK, MD Instructor, Department of Theatre Co-Director of College Park Scholars in the Arts Living Learning Community TEACHING COURSES TAUGHT: Ä¢¹½´«Ã½ 2000-2013 Comm 101/123 Public Speaking Comm 104/100/200 Introduction to Communication Theory Comm 111 Beginning Acting Comm 117 Theatre Production FYS 197 First Year Seminar Comm 213 Theatre History I Comm 214 Theatre History II Comm 215 Theatre, Culture & Society Comm 291 Topics: Acting for the Camera Comm 291 “Virgins and Vamps” (cross listed with Women’s Studies) Comm 291 Inquiries: Women and Theatre (cross listed with Women’s Studies) Comm 291 Topics: Gender and Theatre (cross listed with Women’s Studies) Comm 312/311 Advanced Acting/Acting II Comm 314 Theatrical Theory and Criticism Comm 315 Gender and Theatre (cross listed with WGSS) Comm 450 Senior Seminar SCHOLARLY and ARTISTIC WORK Publications Book Gothic Play and American Society, 1794-1825. Jefferson, NC: McFarland Press, 2009. Book Reviews *Review of Every Home a Distillery by Sarah Hand Meacham, Journal of American Culture, 2010 Review of The Old Vic, by George Rowell. Albion 26 (Summer 1994). Articles “Not a Whorish Actress: Celebrity and the Early American Stage.” Journal of American Culture 38 (December 2015): 401-412. “‘Draw Close the Cord of Virtue:’ Instructive Plays and American Society,” Journal of American and Comparative Cultures (March 2004): 43-53. “'Made in America:'" Adaptations of Gothic Plays for the American Stage" Journal of American Drama and Theatre 8 (Fall 1996): 19-34. "This Sort of Thing: Productions of Gothic Plays in America," Journal of American Drama and Theatre 6 (Spring/Fall 1994): 81-92. Academic Website “Early American Actresses,” launched September 2015 -present (wwwearlyamericanactresses.com) Conference Presentations (since 2008) “Tableau Visualizations in Theatre Pedagogy,” Virtual Panel, Association for Theatre Research, November 2023. “Rescue a Woman Performer from Historical Erasure—through Tableau Software;” Society of Early Americanists conference, UMD, College Park, MD, June 2023. “’The Unrivaled Tragedienne:’ Strategic Movement in Early American Theatre,” Interdisciplinary Nineteenth-Century Conference, April 2023, Knoxville TN. “Visualizing 'Character' in Theatre History: Digital Humanities Problem Solving." Mid-America Theatre Conference, March 2020. "Can Academic Freedom Survive Contemporary Politics and Culture?” National Communication Association National Conference, Baltimore MD November 2019 ”Theatrical Rivalries on the Early American Stage” American Society for Eighteenth Century Studies, Orlando FL March 2018. ”’Supernatural VS Forces of Nature: Theatrical Ecologies,” Nineteenth Century Studies National Conference, Warwick, England, July 2017 ”’It Ain’t Over Til the Fat Lady Sings:’ Female Celebrity on the Early American Stage.” Performed Research panel, American Culture Association National Conference, New Orleans, April 2015. `“Transplanted and Re-Invented: Mrs. Mary Ann Wrighten Pownall and Mrs. Charlotte Melmoth.” American Culture Association National Conference, Washington, D.C., March 2013. *“’An Apology for the Life and Conduct of Mary Ann Wrighten:’ The Myth of the Ostracized Actress,” MidAmerican Theatre Conference, St. Louis, March 2013 *Performer, “Katrina” Reader’s Theatre Panel, Emeriti Division, NCA, November, 2011 “Multi-Media in Theatre”, Presentation at NCA, November 2011. “Remember the Ladies: Early American Actresses and Gothic Plays.” Paper presented at the Society for Historians of the Early American Republic national conference, July 2009. Workshops (since 2008) “Directing Shakespeare’s Plays with Students,” Kevin Coleman at Shakespeare & Co., Summer 2018. Duke Writing Workshop (4 days) Duke University, Raleigh NC, May 2018. GLCA Urban Research, The Philadelphia Center, November 12-15, 2014 HILT Digital Humanities workshop, University of Maryland, August 4-9, 2014 GLCA DLA workshop, Ann Arbor, May 30-June 1, 2014 GLCA Urban Research, The Philadelphia Center, May 20-22, 2014 On-Camera Boot Camp, TVI Studios, NYC, Summer 2008 Training Meisner Intensive, January 2017, Raleigh NC Shakespeare & Co. January Intensive, December 29, 2014 - January 24 2015 Lessac Teachers’ Workshop, Summer 2005 Stage Performance (since 2008) M’Lynn Steel Magnolias Putnam County Playhouse, July 2014 Maria Twelfth Night Indy Fringe Theatre, Indianapolis, Jan. 2013 Irene Malloy Hello Dolly Putnam County Playhouse, June 2010 Lady Bracknell The Importance of Being Earnest Putnam County Playhouse, September 2008 Directing (since 2008) Communicating Doors Ä¢¹½´«Ã½ Theatre,2025 The Addams Family Musical Ä¢¹½´«Ã½ Theatre and SOM, 2023 Scotland Road Ä¢¹½´«Ã½ Theatre, 2022 Silent Sky Ä¢¹½´«Ã½ Theatre, 2021 A Christmas Carol (Zoom production) Ä¢¹½´«Ã½ Theatre, 2020 A Gentleman’s Guide to Love and Murder Ä¢¹½´«Ã½ Theatre and SOM, 2019 Sister Act Ä¢¹½´«Ã½ Theatre and SOM, 2018 The Importance of Being Earnest Ä¢¹½´«Ã½ Theatre, 2017 Company Ä¢¹½´«Ã½ Theatre & SOM, 2016 Seminar Ä¢¹½´«Ã½ Theatre, 2016 The Women Ä¢¹½´«Ã½ Theatre, 2013 Thaw IndyFringe Theatre, Indianapolis The Crucible Ä¢¹½´«Ã½ Theatre, 2012 Urinetown Ä¢¹½´«Ã½ Theatre, 2011 Lady Windermere’s Fan Ä¢¹½´«Ã½ Theatre, 2010 Tartuffe Ä¢¹½´«Ã½ Theatre, 2009 Natural Selection Ä¢¹½´«Ã½ Theatre, 2008 Irma Vepp Crossroads Theatre, Indiana State University Television/Voice-Over/Narration Voiceover Footlight Theatre, Indianapolis Narrator Peter and the Wolf, Ä¢¹½´«Ã½ Orchestra, Fall 2012 PRISM Voice-over Ä¢¹½´«Ã½, 2009 Narrator Organ Recital (Carla Edwards) Performer Medieval Concert (Jay White) Nurse educator Roche Laboratories Industrial, 2007 Featured performer Indiana Board of Tourism brochure, Summer, 2006 Television Host The Global Village cable access television talk show, Flagship Channel, University of Maryland (Summer/Fall 1997) Weather Announcer WLIOTV, (NBC) Prepared and presented four minute weather segment in nightly news for six p.m. and eleven p.m. broadcasts (1982  1988). Featured performer Hechingers television industrial Voice Over Fannie Mae, produced by Flagship station, University of Maryland Voice Over Alcohol Prevention, produced by University Media, University of Maryland AWARDS “Lifetime Award for Artistic Scholarship and International Leadership.” Theatre, Film, and Multi Media Division, National Communication Association. “Outstanding Direction” Award for The Crucible, American College Theatre Regional Festival, Jan. 2013 “Mid-Career Award,” Theatre, Film, and Multi-Media Division, National Communication Assoc., Fall 2012. Ä¢¹½´«Ã½ Endowed Chair: Mary Alice Braden Chair in Communication and Theatre (2011- present) Ä¢¹½´«Ã½ Faculty Fellowship Award for book project: “Remember the Ladies: Actresses on the Early American Stage.” (2010-2013) PROFESSIONAL ORGANIZATIONS Actors Equity Membership Candidate (EMC) Association for Theatre Research Society of Early Americanists American College Theatre Festival (ACTF) National Communication Association American Culture Association/Popular Culture Association      PAGE \* MERGEFORMAT 1   #%2LMRwxŠ¡¹ºÃÄÈÉ ! & W ž ¤ ¥   Y Z l m ~  ¡ Ç È É  # S m üîãîãÔÔÔÅÔ¹ÅÔÔÔÔÔ§ÔÔ˜ÔÔ˜ÔÔÔ˜ÔÔÔ˜ÔÔ§ÔÔŒÔÅÔÔÔÔÔÔ€h/ÇCJOJQJaJhAvkCJOJQJaJhY8çhKdðCJOJQJaJ"hY8çhí 5�CJOJQJ\�aJhôd’CJOJQJaJhY8çh3QCJOJQJaJhY8çhí CJOJQJaJhCG hí OJQJhCG hí 5�OJQJ\�hí /#%MxŠ¡¹ºÄ! 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